Graduating from high school in a small Canadian town, you are immediately faced with two stark choices: leave or stay. Country of Cold follows the stories of a disparate group of Dunsmuir, Manitoba’s class of 1980, most of whom leave, imagining that life happens elsewhere. They flee to the freedom of the big cities of the world and the far corners of Canada, but many end up feeling rootless and alone, whether as a physician in an Arctic Inuit community, a temporary boyfriend in Paris, or a student in the McGill Ghetto. The characters attempt to unravel the impossible puzzles of adulthood — searching for answers by hurtling over falls in a barrel, building a boat to escape a teen-daughter-gone-bad, or embarking on an unlikely affair with a two-bit wrestler.
Kevin Patterson won international accolades for his wonderfully observed and moving memoir, The Water in Between. This fiction debut confirms him as a major new literary talent.
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Creators
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Publisher
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Release date
January 28, 2011 -
Formats
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OverDrive Read
- ISBN: 9780307363756
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EPUB ebook
- ISBN: 9780307363756
- File size: 1973 KB
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Languages
- English
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Reviews
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Publisher's Weekly
January 6, 2003
This debut collection of 13 linked stories from the acclaimed author of the travel memoir The Water in Between
tracks eccentric and genuinely torn-up characters through barren, dramatic regions. The volume begins with the story of an obese malcontent's journey over a waterfall in a barrel ("Les Is More") and ends with the account of a charged high school reunion in the same riverside town ("Manitoba Avenue"). Patterson is an avid and successful describer of place; the locales in this book, all fairly frigid, range from northern Canada to France. The everyday barbarism that often erupts in his landscapes rarely slackens, although it assumes radically different forms. In "Boat Building," divorcée Carol builds an ocean-going vessel and sets herself literally and psychologically adrift. In "Starlight, Starbright," a man serving as a doctor in a remote Canadian military outpost suddenly finds himself thrust headlong into the middle of a firing exercise. There are strained, overambitious touches, as when Patterson ends numerous stories with "This was in ." This technique, although initially disarming, becomes almost maudlin with repetition. Also, the tone of the book is occasionally too wry for its themes, too self-consciously clever. Patterson is at his best when bringing out the natural poetry of the landscapes that fascinate him—at such moments he writes with the power of Russell Banks or Annie Proulx, with a gaze that both appreciates the beauty of the imagined scene and understands the socioeconomic complexities looming over it.
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